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SUBARNALATA
(Play in Hindi)
Based on a novel by - Ashapurna Debi
Dramatized by - Gitanjali Shri
Designad & Directed by - Kirti Jain (NSD Graduate), Ex-Director,
National School of Drama
Style - Realistic
Duration - Two hours
(Adjudged
as one of the Best Plays Of The Year 1999 by Delhi Govt.'s Sahitya
Kala Parishad)
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Subarnalata,
the play is the adaptation of the well-known novel of
the same name, second of the award-winning trilogy written
by Ashapurna Debi. The trilogy depicts the lives of
three generations of women in the early 20th Century
Bengal. Subarnalata is the story of a woman who was
married off at the age of nine. She is caught in the
web of an orthodox system that denies self-expression,
stifles questions and prohibits any interaction with
the outside world. She spends her life protesting against
indignity and injustice. She has obviously inherited
the seeds of this rebellion from her mother, who leaves
her home forever when she learns that her daughter has
been secretly married off against her wishes at that
young age. Subarnalata wages a lonely battle against
a well-established male dominated system, only to be
isolated from everyone, even her children, on whom she
had great hopes, cannot comprehend her angst. The narrative
gets added sharpness in it with the backdrop of the
nationalist and reform movements prevalent during that
period in Bengal.
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THE
HINDU, Friday, May 14,, 1999
Small battles for gender space
Apart from concentrating on the protagonist, the director
subtly explores the realtionships between different members
of the family. The cast has some seasoned actors like
Bharti Sharma as the mother-in-law, who stood heads and
shoulders above others and then we have Tannishtha Chatterjee's
sensitive projection of Subarnalata's battles for little
space in life. Banwari Taneja is an experienced actor
and he walked in to the father's role with his customary
ease. Sudhir Kulkarni's Jagu was a delight to watch and
provided the much-needed relief after some highly tense
situations.
ROMESH
CHANDER
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THE
TELEGRAPH
FRIDAY, July 11, 2003. Calcutta
Saas,
bahu, same saga
Bengali
theatre workers should have been Subarnalata by Kshijit
(Delhi), for the delicacy and authenticity with which
Kirti Jain, using minimum props and no sets, recreates
the socio-historical context of Ashapurna Devi's classic
novel dramatized in Hindi by Gitanjali Shree.
ANANDA
LAL
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