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SUBARNALATA (Play in Hindi)

Based on a novel by - Ashapurna Debi
Dramatized by - Gitanjali Shri
Designad & Directed by - Kirti Jain (NSD Graduate), Ex-Director, National School of Drama
Style - Realistic
Duration - Two hours

(Adjudged as one of the Best Plays Of The Year 1999 by Delhi Govt.'s Sahitya Kala Parishad)

Subarnalata, the play is the adaptation of the well-known novel of the same name, second of the award-winning trilogy written by Ashapurna Debi. The trilogy depicts the lives of three generations of women in the early 20th Century Bengal. Subarnalata is the story of a woman who was married off at the age of nine. She is caught in the web of an orthodox system that denies self-expression, stifles questions and prohibits any interaction with the outside world. She spends her life protesting against indignity and injustice. She has obviously inherited the seeds of this rebellion from her mother, who leaves her home forever when she learns that her daughter has been secretly married off against her wishes at that young age. Subarnalata wages a lonely battle against a well-established male dominated system, only to be isolated from everyone, even her children, on whom she had great hopes, cannot comprehend her angst. The narrative gets added sharpness in it with the backdrop of the nationalist and reform movements prevalent during that period in Bengal.

THE HINDU, Friday, May 14,, 1999
Small battles for gender space

Apart from concentrating on the protagonist, the director subtly explores the realtionships between different members of the family. The cast has some seasoned actors like Bharti Sharma as the mother-in-law, who stood heads and shoulders above others and then we have Tannishtha Chatterjee's sensitive projection of Subarnalata's battles for little space in life. Banwari Taneja is an experienced actor and he walked in to the father's role with his customary ease. Sudhir Kulkarni's Jagu was a delight to watch and provided the much-needed relief after some highly tense situations.
                                                                                                                                               ROMESH CHANDER

THE TELEGRAPH
FRIDAY, July 11, 2003. Calcutta


Saas, bahu, same saga
Bengali theatre workers should have been Subarnalata by Kshijit (Delhi), for the delicacy and authenticity with which Kirti Jain, using minimum props and no sets, recreates the socio-historical context of Ashapurna Devi's classic novel dramatized in Hindi by Gitanjali Shree.

                                                                                                                                                   ANANDA LAL

 
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